Rare Octopus With Transparent Head Caught by Blackwater Photographer [Interview](附中文)
The depths of the ocean are a powerful draw for researchers, experienced divers, and photographers alike. The vast bodies of water which cover over 70 percent of the planet’s surface are still being explored and documented. Lured by mystery, blackwater photographers dive at night into icy, pitch-dark depths. Taipei-based photographer Wu Yung-sen has been deep sea diving and photographing marine life for four years. On a recent blackwater dive—unable to see the bottom and surrounded by impenetrable space—he chanced upon a rare larval Wunderpus octopus. A stunning image captures the encounter; it shows the delicate and transparent baby octopus encasing its own brilliantly red brain, a sight few ever witness in the wild.
The Wunderpus octopus—called Wunderpus photogenicus, literally meaning photogenic wonder—was only first officially described by researchers in 2006. The animal is still understudied compared to other octopi. The species lives in the coastal waters of the Pacific Ocean south of the Philippines. The adults are a rusty red with white spots and stripes. They possess an ability to contort themselves to mimic other similarly shaded sea creatures, such as the venomous spiny lion fish. This protective mechanism, however, does not benefit the young translucent larvae.
The specimen encountered by Yung-sen while blackwater diving in Anilo in the Philippines was in this lifecycle phase and presented a visible brain within its translucent head. The avid diving photographer—who also works as a business consultant—knew he was seeing a rare phenomenon. Luckily, he snapped the image before the young octopus could drift away.
Yung-sen was able to capture this elusive creature—and many others—by using the special techniques employed by blackwater divers. These enthusiasts hope to encounter the unusual, solitary life forms in the open ocean. Blackwater divers take a boat out to sea until the depth exceeds two kilometers. Lights on long lines are lowered first, then the divers descend. They remain tethered to the boat for safety and stability, as they sit and wait about 50 meters below the surface. The lights first attract microscopic zooplankton. The plankton in turn draw small planktonic creatures which feed on the minuscule organisms. Jellyfish, squid, and larval (baby) fish drift in to feed under the suspended light. In blackwater photography images such as those of Yung-sen, the tiny marine life appears isolated against an endless expanse of darkness. Up and down are indistinguishable as the strange species hang suspended under the single lightsource.
For Yung-sen, blackwater photography is a way to explore the limits of the natural world, unseen by many. However, he is also an award-winning photographer in much shallower waters. The ambitious photographer won the Taiwan National Award in the Sony World Photography Awards for his image of migrating salmon in British Columbia, Canada. To get the shot, Yung-sen lay in the freezing river for hours.
Whether he is lying in a river or deep sea diving, Yung-sen’s wildlife photography brings aquatic wildlife to a global audience. My Modern Met recently had a chance to catch up with Yung-sen to discuss blackwater photography and his memorable octopus photo. Read on for our exclusive interview with the intrepid wildlife photographer.


What first got you interested in blackwater photography?
Blackwater is the ultimate frontier for me. The purpose of blackwater photography is to explore an unknown world, and to look for new life and new species in the vast sea, showing the side of creatures that people barely know.


What is the biggest challenge of this type of photography?
The most difficult thing is finding creatures. First, it’s a matter of luck to encounter creatures. Afterwards, taking photos in a gravity-free environment seems like I am chasing alien creatures up and down. That’s exactly how I feel!
You must meet the four factors of black water photography:
- Top neutral buoyancy
- Experienced diving center
- Suitable lights, reliable equipment
- Wait


What is the appeal of blackwater photography for you?
Because most of the blackwater creatures are larvae, they are mostly transparent, and some of them even expose their organs. The most interesting thing about blackwater photography is that larvae and adults are totally different. I didn’t know what I would get before shooting. For example, the stomach of some species of flounder larvae is exposed outside the body. Because of that, the viewers are stunned by these precious pictures. I hope that everyone can understand this strange and beautiful new world through my photos. The fun of shooting in blackwater is that you can meet unknown larvae. Most of larvae have exaggerated and transparent looks, so I want to show these incredible alien-like creatures through photography.
Do you have a most memorable photo?
The larva of Wunderpus [see lead image]. Unlike the adult, the head is very large and the body is transparent. Especially, when it opens the tentacles completely.



MADELEINE MUZDAKIS
Madeleine Muzdakis is a Contributing Writer at My Modern Met and a historian of early modern Britain & the Atlantic world. She holds a BA in History and Mathematics from Brown University and an MA in European & Russian Studies from Yale University. Madeleine has worked in archives and museums for years with a particular focus on photography and arts education. When she isn’t writing, she enjoys hiking, film photography, and studying law while cuddling with her cat Georgia.
台灣攝影師漆黑水域捕捉到的海洋生物-記者E. S. Armstrong報導/張雨霏編譯

地球表面上有超過70%的面積被水覆蓋,其中海洋面積約占97%。但人類對海洋的認知卻極其有限,如同另一個宇宙。台灣一位潛水攝影師就熱衷於在漆黑的水域捕捉陌生而又神秘的深海生物。
46歲的台灣居民吳永森(Wu Yung-sen)是一位自學成才的攝影師,數年前購買了他的第一台相機,並想在水下拍攝。儘管當時他對水下攝影一無所知,但他想通過他的鏡頭向世人展示他在沒有陽光的水下世界所看到的另一番景象。
經過十年的實踐和摸索,這位曾初出茅廬的攝影師已經成為了一位專業攝影師。2015年,吳永森通過嘗試黑水(blackwater)攝影將他的工作提升到一個新的水平。所謂黑水攝影,是指夜間在深不見底的開闊水域進行潛水和攝影,主要利用架設的有足夠亮度的燈光,吸引對光線有反應的海洋生物聚集。
他的黑水攝影作品包括玻璃眼鯊魚、散發著淡淡藍光的透明章魚和帶狀水母等奇妙的海洋生物。
「目的是探索一個陌生的新世界,在茫茫大海中尋找生命和新物種,展現生物鮮為人知的一面。」他說。
根據吳永森的說法,黑水潛水攝影需要四個必要條件:中性浮力,使潛水員能夠橫向移動而不會下沉或上升;經驗豐富的潛水中心;可靠的設備,包括合適的燈具;最後也同樣重要的是,「耐心等待」。
「我的大部分作品都是花費9/10的時間來觀察,而真正拍攝的時間只占1/10」,他告訴《大紀元時報》,「一般來說,自然攝影相當乏味,如何拍出大家都能看懂的照片,對我來說是最重要的話題。作為一名潛水員,這些海洋生物對我來說太熟悉了。如何讓從未下過水的普通大眾理解這張照片,才是水下攝影真正的難題。」







為了實現這一目標,他的水下拍攝需要超越二維感知。
「你不僅要會使用普通相機(專用防水殼)和水下閃光燈拍照,還要會潛水,然後有一定的保護自己的能力,還要對海洋生物有所了解。」吳永森說,「嚴格來說,它是所有經驗和多種技能的總和。
「熟悉自己的裝備也很重要,尤其是在潛水時。只有當你處於安全狀態時,你才能專注於拍攝。
「最吸引我的是千變萬化的水下生態,同一個地方在不同的時間段會有很多不同的景象 。」
目前,吳永森正忙於為贊助商、大型潛水勝地經營者拍攝,並為專業攝影雜誌供稿。他還在攝影會議上擔任教學工作。
雖然他大部分時間都在外國拍攝,但今年的情況有所不同。最近,他一直專心拍攝台灣的海洋,尤其是在蘭嶼(Orchid Island)附近。
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